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Mark Brokaw has directed the New York
premieres of Paula Vogel’s The Long
Christmas Ride Home and her
Pulitzer Prize-winning How I Learned
To Drive (Vineyard and transfer to
Century Theatre; Drama Desk, OBIE,
Lucille Lortel Awards for Best
Director); Kenneth Lonergan’s Lobby
Hero (Playwrights Horizons and
transfer to John Houseman Theatre, as
well as the U.K. premiere at London’s
Donmar Warehouse and its West End
transfer) and This Is Our Youth
(New Group and Second Stage/Lucille
Lortel and Encore Awards for Best
Director); Douglas Carter Beane’s
Music From A Sparkling Planet
(Drama Dept.) and As Bees In Honey
Drown (Drama Dept. and transfer to
Lucille Lortel Theatre); Wendy
Wasserstein’s Old Money (Lincoln
Center Theatre); Craig Lucas’ The
Dying Gaul and Stranger
(Vineyard Theatre); Lisa Kron’s 2.5
Minute Ride (NYSF/Public Theatre,
A.R.T., Center Stage, A.C.T. in Seattle
and Tiffany Theatre in Los Angeles);
Kathy Najimy and Mo Gaffney’s The
Kathy & Mo Show -- Greatest Hits
(Second Stage); and five seasons of new
works with the Young Playwrights
Festival. Mark also directed Lynda
Barry’s The Good Times Are Killing
Me (Second Stage and transfer to
the Minetta Lane) and its subsequent
companies in Washington, D.C., Seattle
and Toronto. His regional credits
include the Sondheim Celebration at the
Kennedy Center (A Little Night
Music), Marty starring John
C. Reilly at the Huntington Theatre,
Arthur Miller’s The Price at the
Gate Theatre in Dublin, Ireland, as
well as the Guthrie Theatre, Mark Taper
Forum, Steppenwolf Theatre Company,
Seattle Repertory Theatre, Long Wharf
Theatre, Hartford Stage Company, La
Jolla Playhouse, Yale Repertory
Theatre, Berkeley Repertory Theatre,
Actors Theatre of Louisville Humana
Festival, and Huntington Theatre
Company. He serves on the Executive
Board of the Society of Stage Directors
and Choreographers, and is an associate
artist at the Roundabout Theatre and a
member of Drama Dept.
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